Phil Pickett

Philip Stuart Pickett (born 19 November 1946) is a double Ivor Novello Award-winning[1] English composer, musician, vocal arranger, producer and artist manager.

For the musician and child abuser, see Philip Pickett.

This biography of a living personneeds additional citations for verification. (December 2012)

He is principally known as a songwriter and musician and for co-writing and recording “Karma Chameleon“, one of the biggest hits of the 1980s era with Boy George and Culture Club during his tenure as keyboard player and backing vocalist for the group on every live performance throughout the world during the 1980s. Prior to this, Pickett co-founded hit-making pop band Sailor in 1973 which achieved considerable chart-topping success in the mid-1970s Glamrock period and with whom he still regularly performs to the present day. Pickett’s songs have also been recorded by many other artists including Labi Siffre, Sheena Easton, Georgie Fame, Joe Cocker, Brian Kennedy and Malcolm McLaren, used in countless TV commercials and included in the soundtrack of Hollywood films Electric Dreams, Top Secret!, The Lost Boys and his West End Musical Theatre debut, Casper The Musical.[2]

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Pickett was born on 19 November 1946 in Münster,Germany (B.A.O.R.) the only child of father Philip George Pickett, an RAF pilot officer killed in a flying accident in Rhodesia in 1950 and mother Eileen Elizabeth Pickett who died in Spain in 1993.

Upon leaving school at Sutton Coldfield near Birmingham England in 1964, Phil took the advice of a family mentor, Philip Sutton, a director of Garfield Weston‘s Associated British Foods, by choosing to take an apprenticeship in the bakery industry, but by this time was also immersing himself in a growing passion and talent for musical composition. An interest in American music, particularly R&B, led him to form his first band, “The Blues Unit” with some school and college friends. After completing his apprenticeship on his 21st birthday, whilst taking a 12-month sabbatical travelling across the US, Pickett enjoyed a brief but life-changing chance encounter with legendary jazz musician Duke Ellington in a North Beach supper club in San Francisco, who whilst raising a glass to the young man, strongly advised him to “follow his heart” and return to England to pursue a music career instead.

Upon hearing an early arrangement of an obscure Peter Paul and Mary album track, the then relatively unknown “Leaving on a Jet Plane” that Pickett had curated and was now performing with his folk singing partner Paddy Maguire at “Mother’s” in Erdington 1968, Warner Bros executives Ian Ralfini and Martin Wyatt arriving from London to audition the duo and realising the track was already published by Warners, released it a few weeks later and the song went straight to Number One in the UK chart staying there for several weeks.

Moving to London in 1969, Phil was employed as an arranger by E. H. Morris, a US music publisher based in Hanover Square W1 with the added responsibility of sifting through the many tapes sent in by hopeful writers. One of the songwriters was Norwegian guitarist / vocalist, Georg Kajanus, who after being recommended to the publisher, Phil contacted with a view to forming a group. The duo, now called “Kajanus Pickett” recorded an album of self-composed material, “Hi-Ho Silver” for Arty Mogul’s Signpost label, an imprint of Atlantic Records. Around this period Pickett also worked with Vanda and Young, playing on many of their early tracks and also wrote a number of songs with Scott English and B.A. Robertson, all of them E.H. Morris songwriters in the late 1960s/early ’70s. One of his songs, “Lay Me Down” was recorded by Georgie Fame – Pickett’s first significant ‘cover’ recording.

Although the “Kajanus Pickett” L.P. achieved fairly limited success upon release, in 1973 Pickett co-founded pop band Sailor with Kajanus with the addition of keyboard player, Henry Marsh, and drummer, Grant Serpell. Sailor recorded a total of 10 albums throughout their career achieving considerable UK and international success during the early to mid-1970s with a number of hit singles produced by Jeffrey Lesser and Rupert Holmes, most notably ‘A Glass of Champagne’[3] and ‘Girls Girls Girls’[4] – the former hit dislodging Queen’s Bohemian Rhapsody at the UK Number 1 spot in the NME chart in 1976 after having resided at the Number 2 slot for several weeks. (Thirty years on, in 2006, ‘Champagne’ was again heavily featured, this time in a TV advertising campaign for Marks and Spencer accompanied by some of the world’s top supermodels and widely attributed as a major contributory factor in the High Street retailer’s successful renaissance and rebranding exercise.) The band topped the charts all over Europe in the 1970s earning many gold albums and sell-out tours with a reputation for extravagantly unique and theatrical productions. The group also frequently appeared on the BBC’s iconic “Top of the Pops” TV show and Mike Mansfield’s “Supersonic” on LWT together with their many overseas equivalents.

Kajanus eventually left the group in 1978 with Pickett taking up the reins of Sailor by recording “Dressed For Drowning ” (Epic/ Caribou) an album predominantly written by him and produced by US record producer James William Guercio at his famous Caribou Ranch Studios in Colorado in 1979. This incarnation featured Phil’s bandmate Henry Marsh and newcomers, brother and sister duo, Virginia (Ginny) and Gavin David, Serpell having left to become a teacher. In a Playboy interview at the time, the Beach Boys’ (late) Carl Wilson, who later sang with Pickett on one of the Caribou recordings (‘Whatever’s in Your Heart’) named “Dressed For Drowning” his favourite album of that year (1980). Another of his songs, ‘Don’t Send Flowers’ was covered by Sheena Easton as the opening track of her debut triple-platinum album Take My Time considerably adding to Pickett’s growing reputation as a pop songwriter in that year.

In 1993, Pickett whilst attending meetings in Germany, was approached by pop impresario/ promoter, Rainer Haas with a view to reform the original line-up of Sailor; Georg Kajanus, Grant Serpell, Henry Marsh and himself to perform a series of concert tours throughout Germany and Austria. Upon agreement to the generous terms negotiated by Pickett, the band were immediately signed up by Haas to play 100 concerts during 1993–94 and performed their music to bigger audiences than in their entire hit-making career throughout the early to mid-1970s. Sailor were unique amongst their erstwhile contemporaries for (a) being a 100% original line-up and, (b) for recording two new contemporary hits in Benelux and Germany in the 1990s – “The Secretary” and “La Cumbia” (These tracks were recorded on an earlier recording project for BMG on two albums, “Sailor” and “Streetlamp” for which Kajanus composed all the material, as in earlier years a pre-condition of his involvement in recording).

Sailor’s music catalogue is still controlled by the band’s first manager, Steve Morris, son of the late E.H. (Buddy) Morris to the present day through his company Sashay Music.

In 1995 Kajanus retired from live performance, his place being taken up by lead guitarist/vocalist Peter Lincoln. Grant Serpell retired in 2011 and was replaced by Henry Marsh’s son Thomas Marsh. Peter Lincoln left to join The Sweet in 2006 and was replaced by Oliver Marsh, Henry’s younger son on lead vocals and guitar. Sailor still perform fairly regularly, mainly in Germany, Benelux and Scandinavia with Pickett having so far played on every live performance with the band since 1973 to the present day.


. . . Phil Pickett . . .

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